HEADLINER: FALLING IN REVERSE
SUPPORTS: HOLLYWOOD UNDEAD / BLACK VEIL BRIDES
DATE: MARCH 18TH 2025
VENUE: BRISBANE ENTERTAINMENT CENTRE
REVIEWER: HEAR 2 ZEN
PHOTOGRAPHER: ANDREW TREADWELL PHOTOGRAPHY
Arena rock, social Commentary, more firepower than a world war, and a front man that doesnt know how to shut up, which is perfectly fine with us, Welcome to the FALLING IN REVERSE POPULAR MONS(TOUR) MARCH 2025 with special guests Black Veil Brides and Hollywood Undead
Hollywood Undead delivered an electrifying performance, showcasing their remarkable talent and incredible stage presence. From the moment they took the stage, the band set an exciting tone for the night, captivating the audience with their energetic and fun vibe. Each member effortlessly swapped vocal duties and instruments, creating an engaging and dynamic atmosphere that resonated with fans. The set was filled with unforgettable highlights, including fan-favorites like “Everywhere I Go” and “Day of the Dead.” As they closed their set with the anthem “Undead,” the energy in the venue reached a fever pitch, igniting the crowd
Christian “CC” Coma climbed to the top of his kit to signal the beginning of Black Veil Brides set, and they kept the energy going, brought the start of circle pits and crowd surfers.
Intense performances and great vibes from guitarists Jinxx, and Jake Pitts, with Bassist Lonny Eagleton holding down the low end and BV’s with style. Lets not forget the incredible vocals from Andy Biersack , he holds the crowd in the palm of his hands and every line he sings is delivered with precise emotion and power. The band kept the energy going, brought the start of circle pits and crowd surfers. Lets hope we see them back sometime soon.
From the moment the opening chords of “Highway to Hell” blasted through the PA system, it was clear that a spectacle was about to unfold. Screens illuminated the venue, showcasing Ronnie Radke and his band, Falling In Reverse, walk from dressing room to the stage.
The cinematic and atmospheric “Prequel” brought a creepy yet exciting tone, setting the stage for what was to come. Then, the fiery explosion of pyro signaled the arrival of “Zombified,” unleashing fir and rage upon the eager crowd. A boot is thrown on stage, triggering the infamous “Shoey” chant. Radke, ever the defiant frontman, swiftly shut it down, declaring he wouldn’t be drinking from a A Fucking Gross Giant Womans Boot, Fuck Your Customs”
It was a reminder: Falling In Reverse may be the band’s name, but this was undoubtedly the Ronnie Radke Show. Radke’s arrogance, a mix of bravado and vulnerability, is in every note, every command, every witty retort directed at the audience.
Yet, beneath the cockiness lay a genuine appreciation for the opportunity to perform. Radke effortlessly shifted from the scathing aggression of “Fuck You And All Your Friends” to the biographical vulnerability of “Bad Guy,” his vocals impeccable and undeniably authentic, silencing any whispers of lip-syncing.
While Radke commanded the spotlight, his bandmates, Tyler Burgess and Christian Thompson, provided an impressive backdrop, their harmonies and screams adding depth and texture to the performance. Luke Holland, the powerhouse drummer, relentlessly fueled the show, amidst the constant barrage of flames.
“All My Life” ushered in a new dimension, with Radke donning a black cowboy hat, followed by the rest of the band. The crowd immediately recognized the impending transformation, a testament to Radke’s ability to seamlessly blend genres. “Popular Monster” resonated with as much force live as it does on record, leading into the introspective “Voices in My Head.” “Ronald” began as a classic screamo track before morphing when Tech N9ne appeared on screen for his verse, a moment of unexpected synergy. Radke, a master of both performance and provocation, playfully cautioned the audience against removing shirts or engaging in overt displays of flesh, advising them to “Save that shit for Sleep Token.” His playful jab, following a similar in Melbourne to Bad Omens, added to the mystique and controversy that perpetually swirls around him. During “The Drug in Me Is You,” Radke belted out the line, “I’m so high on misery, can’t you see?” , leading into a fiery rendition of “Just Like You.” After the song’s conclusion, he jokingly dismissed the audience as “ungrateful pieces of shit” before dramatically exiting the stage.
A camera followed his every move, revealing a bizarre group of inflatable sharks and other strange characters. The camera then shifted to a roadie who awkwardly grunted into a microphone as he navigated through the venue until he reached the front-of-house desk where Radke and Tyler Burgess launched into “No Fear,” before walking their way back through the crowd to the stage.
Ronnie Radke is a force of nature, his dynamic presence makes the show an unforgettable experience. As the unrelenting show hurtled towards its grand finale, the band unleashed a final assault, ending with “Watch the World Burn,”. More like watch Brisbane burn, because it sure did from beginning to end.
Love him or hate him, Ronnie Radke is a master. He is the ultimate mouth piece. He stands up when others wont. He delivers. His band delivers. Brisbane was laid to waste
