ARTIST: BLOODYWOOD
ALBUM: NEW DELHI
RELEASE DATE: MARCH 21ST 2025
LABEL: FEARLESS RECORDS
The journey from viral sensation to serious contenders in the metal scene has been rapid for Bloodywood. Initially known for their audacious covers of pop and Bollywood songs, the band has transformed their sound into something that is uniquely their own—a frenetic blend of Indian folk, metal, rap, and a smattering of progressive elements. With Nu Delhi, they continue to push the envelope, diving deeper into their cultural heritage while expanding their sonic palette.
The opening track, “Halla Bol,” sets the stage with an eerie backmasked chant that quickly gives way to a barrage of sound. Guitarist Karan Katiyar’s djent-inspired riffs are complemented by the relentless drumming of Vishesh Singh and the earth-shaking bass of Roshash Roy. Sarthak Pahwa’s dhol drumming adds a layer of authenticity that is both invigorating and disorienting, creating a soundscape that is unmistakably Bloodywood. Raoul Kerr’s vocal performance is a revelation, oscillating between ferocious rapping and guttural screams that demand attention. It’s a potent introduction, but one that initially feels familiar, echoing the band’s previous work.
However, as the album unfolds, you see that Nu Delhi is not merely a retread of Rakshak. The standout track “Hutt” showcases a newfound depth in songwriting, combining motivational lyrics with a hauntingly beautiful interlude featuring piano and violin. This moment of calm in the storm serves as a reminder that Bloodywood is not just about aggression; they have the capacity for introspection, and they wield it with grace. Kerr’s verses resonate with a sense of urgency, urging listeners to confront their inner demons and emerge victorious.
How about the prowess of Raoul Kerr’s rapping. Kerr’s lyrical wizardry is on full display in tracks like “Tadka,” where he seamlessly weaves personal anecdotes with broader social commentary. His ability to evoke emotion through words is matched only by his passion, creating a connection with listeners that transcends cultural barriers. The song’s celebration of heritage, framed through the lens of familial love—specifically his mother’s biryani—highlights the band’s commitment to honoring their roots while forging a modern identity.
The collaboration on “Bekhauf (Fearlessly)” with Japanese metal darling Babymetal marks a bold step for Bloodywood, merging Western metal with the kawaii aesthetic of J-Pop. The track is a whirlwind of energy, featuring a vibrant interplay of languages and styles that defies categorization. It’s a culture jam that showcases the band’s willingness to embrace diversity, a sentiment that is increasingly important in today’s polarized world. The infectious chorus serves as an anthem for self-empowerment, urging listeners to confront their fears head-on. This track alone could ignite debates among purists, but it also demonstrates the expanding horizons of metal as a genre.
Musically, Nu Delhi sees Bloodywood integrating more electronic elements into their sound, a decision that pays off in spades. The Eurodance-inspired keyboards add a layer of complexity without sacrificing the band’s metallic roots. This evolution is evident in the album’s production, which, while occasionally feeling compressed, allows the instrumentation to shine through in a way that is both polished and raw. The interplay between traditional Indian instruments and heavy guitar riffs creates a rich tapestry of sound that is as exhilarating as it is innovative.
For those willing to embrace the chaos and joy of this album, Nu Delhi is a thrilling ride worth taking.
